Slouching Towards Bethlehem
I wonder what my mother must have thought of this collection of essays about people, places, lifestyles so radically different than anything in her experience, yet which were happening simultaneous to her sheltered life. While her days were filled with Sesame Street, Tang, laundry, cutting crusts from bread for fussy her elementary school-kids' lunches, Joan Didion was writing of the counterculture of Haight-Ashbury, where runaways were drugged and traded as sex toys, used up and strung out by nineteen; of Howard Hughes buying up blocks of Las Vegas like she bought boxes of Cheerios; of Joan Baez, wispy, earnest, and reclusive in the Monterey County Courthouse, trying to save her Institute for the Study of Non-Violence from the squares who worried that the hippies would drive down their property values.
Did my mother dream California dreams? Did she wish for a New York interlude, to be young and in love, with a view of the Brooklyn Bridge, such as Joan Didion had in 1960s? Did she yearn for the warm waves of the Pacific curling on the sands of Hawaii? Such freedom young Didion had, such time to feel angst, to observe others, to write, clear-eyed and fiercely about her time and place in a world where people filled their voids with drug, sex, and rock-n-roll.
I imagine my mother reading about a gathering of earnest young activists and intellectuals "reluctant about gathering up their books and magazines and records, about finding their car keys and ending the day, and by the time they are ready to leave Joan Baez is eating potato salad with her fingers from a bowl in the refrigerator, and everyone stays to share it, just a little while longer where it is warm" and wishing she were in their midst, instead of pushing a shopping cart down the aisles of Pak-n-Save, filling it with boxes of Kraft Mac-n-Cheese and Hamburger Helper.
This collection of twenty essays, originally published in a variety of magazines, chronicles Didion's internal and external worlds at a singular time in modern American history. Her cool, unsentimental observations have come to exemplify California during the mid 60s and 70s, her unwavering voice carrying the mantle of feminism—here is a writer, a woman, unafraid to admit how very angry and afraid she really is. Or unafraid to admit a lifelong crush on the manufactured, wooden John Wayne, a caricature of the American man.
Perhaps it is this voice my mother held onto so tightly, searching in Didion's words for the key to self-expression, independence, and experimentation—all the things my mother missed as she moved straight from childhood to motherhood. Perhaps she longed to belong to Didion's California where
Oh, don't we all?
Joan Didion is an insightful and skeptical thinker, an astute ironist, and a beautiful prose stylist: Slouching Towards Bethlehem exemplifies her craft. While all of her essays are exemplary in form, some fall by the wayside of memory, and even only a week removed from my first foray in Didion, only a few remain with me with any moving power. Slouching Towards Bethlehem skirts the two worlds of my known (intimacy) and my unknown (distance): what it means to be a twentysomething, a skeptic, a
"To have that sense of one's intrinsic worth which constitutes self-respect is potentially to have everything: the ability to discriminate, to love and to remain indifferent. To lack it is to be locked within oneself, paradoxically incapable of either love or indifference." Somehow, I usually read Didion on a blue night, when it's so bright outside that I open my curtains to search for the moon; instead, what greets me is a pale hue of blue sky. When I read Blue Nights, I had a similar
"The blood-dimmed tide is loosed, and everywhereThe ceremony of innocence is drowned;"- The Second Coming, YeatsI know something about dread myself, and appreciate the elaborate systems with which some people fill the void, appreciate all the opiates of the people, whether they are as accessible as alcohol and heroin and promiscuity or as hard to come by as faith in God or History. Joan Didion, Slouching Towards BethlehemI'm sure at some point Joan Didion will disappoint. I'm positive the
...I think we are well-advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget
California musings.If I could make you understand that, I could make you understand California and perhaps something else besides, for Sacramento is California, and California is a place in which a boom mentality and a sense of Chekhovian loss meet in uneasy suspension; in which the mind is troubled by some buried but ineradicable suspicion that things had better work here, because here, beneath that immense bleached sky, is where we run out of continent. Sometimes you fall in love with a book's
Beautifully written essays from way back in 1967 from a journalist who successfully captured the essence of America as it woke from its idealistic dream into the deep feeling that all was not all right.Maybe this is old news for today's world, but I can still express my appreciation for one of the best non-fiction writers of the age, exposing sensationalist murders, the seedy underbelly of the Flower Power movement, and the failed idealism of many other movements... and modes of thought not
Joan Didion
Paperback | Pages: 238 pages Rating: 4.21 | 33705 Users | 2588 Reviews
Itemize Based On Books Slouching Towards Bethlehem
Title | : | Slouching Towards Bethlehem |
Author | : | Joan Didion |
Book Format | : | Paperback |
Book Edition | : | Special Edition |
Pages | : | Pages: 238 pages |
Published | : | October 1st 1990 by Farrar Straus Giroux (first published 1968) |
Categories | : | Nonfiction. Writing. Essays. Autobiography. Memoir. History. Classics. Short Stories |
Rendition In Favor Of Books Slouching Towards Bethlehem
My mother was a freshman in college when I was a freshman in high school. Married at seventeen, her 1960s and 70s were spent as a young wife and mother of four. It wasn't until she divorced at thirty-six, the same year Ronald Reagan ushered in the folly of trickle-down economics and the prison-industrial complex, that she discovered "the sixties". She majored in English and one day brought home, as a reading assignment, a copy of Slouching Towards Bethlehem. I recall the cover: gun-metal gray with white lettering. I recall her clutching the book as though it were a lifeline, a rope to a past she never had. I felt the book must be some passageway to adulthood, some essentialness of feminism that both intrigued and bored me. I recall loving the title--the evocation of the Bible that seemed almost sacrilegious to me, a child of a conservative Christian family. Slouching . . . Bethlehem . . . nothing but trouble can come from such a book.I wonder what my mother must have thought of this collection of essays about people, places, lifestyles so radically different than anything in her experience, yet which were happening simultaneous to her sheltered life. While her days were filled with Sesame Street, Tang, laundry, cutting crusts from bread for fussy her elementary school-kids' lunches, Joan Didion was writing of the counterculture of Haight-Ashbury, where runaways were drugged and traded as sex toys, used up and strung out by nineteen; of Howard Hughes buying up blocks of Las Vegas like she bought boxes of Cheerios; of Joan Baez, wispy, earnest, and reclusive in the Monterey County Courthouse, trying to save her Institute for the Study of Non-Violence from the squares who worried that the hippies would drive down their property values.
Did my mother dream California dreams? Did she wish for a New York interlude, to be young and in love, with a view of the Brooklyn Bridge, such as Joan Didion had in 1960s? Did she yearn for the warm waves of the Pacific curling on the sands of Hawaii? Such freedom young Didion had, such time to feel angst, to observe others, to write, clear-eyed and fiercely about her time and place in a world where people filled their voids with drug, sex, and rock-n-roll.
I imagine my mother reading about a gathering of earnest young activists and intellectuals "reluctant about gathering up their books and magazines and records, about finding their car keys and ending the day, and by the time they are ready to leave Joan Baez is eating potato salad with her fingers from a bowl in the refrigerator, and everyone stays to share it, just a little while longer where it is warm" and wishing she were in their midst, instead of pushing a shopping cart down the aisles of Pak-n-Save, filling it with boxes of Kraft Mac-n-Cheese and Hamburger Helper.
This collection of twenty essays, originally published in a variety of magazines, chronicles Didion's internal and external worlds at a singular time in modern American history. Her cool, unsentimental observations have come to exemplify California during the mid 60s and 70s, her unwavering voice carrying the mantle of feminism—here is a writer, a woman, unafraid to admit how very angry and afraid she really is. Or unafraid to admit a lifelong crush on the manufactured, wooden John Wayne, a caricature of the American man.
Perhaps it is this voice my mother held onto so tightly, searching in Didion's words for the key to self-expression, independence, and experimentation—all the things my mother missed as she moved straight from childhood to motherhood. Perhaps she longed to belong to Didion's California where
". . . time past is not believed to have any bearing on time present or future, out in the golden land where every day the world is born anew."
Oh, don't we all?
Mention Books As Slouching Towards Bethlehem
Original Title: | Slouching Towards Bethlehem: Essays |
ISBN: | 0374521727 (ISBN13: 9780374521721) |
Edition Language: | English |
Rating Based On Books Slouching Towards Bethlehem
Ratings: 4.21 From 33705 Users | 2588 ReviewsWrite-Up Based On Books Slouching Towards Bethlehem
My only advantage as a reporter is that I am so physically small, so temperamentally unobtrusive, and so neurotically inarticulate that people tend to forget that my presence runs counter to their best interests. And it always does. That is one last thing to remember: writers are always selling somebody out. One of the cornerstones of friendship is developing some level of trust. It might be possible to be friends with Joan Didion, but the very thing that makes her a wonderful dinner companion,Joan Didion is an insightful and skeptical thinker, an astute ironist, and a beautiful prose stylist: Slouching Towards Bethlehem exemplifies her craft. While all of her essays are exemplary in form, some fall by the wayside of memory, and even only a week removed from my first foray in Didion, only a few remain with me with any moving power. Slouching Towards Bethlehem skirts the two worlds of my known (intimacy) and my unknown (distance): what it means to be a twentysomething, a skeptic, a
"To have that sense of one's intrinsic worth which constitutes self-respect is potentially to have everything: the ability to discriminate, to love and to remain indifferent. To lack it is to be locked within oneself, paradoxically incapable of either love or indifference." Somehow, I usually read Didion on a blue night, when it's so bright outside that I open my curtains to search for the moon; instead, what greets me is a pale hue of blue sky. When I read Blue Nights, I had a similar
"The blood-dimmed tide is loosed, and everywhereThe ceremony of innocence is drowned;"- The Second Coming, YeatsI know something about dread myself, and appreciate the elaborate systems with which some people fill the void, appreciate all the opiates of the people, whether they are as accessible as alcohol and heroin and promiscuity or as hard to come by as faith in God or History. Joan Didion, Slouching Towards BethlehemI'm sure at some point Joan Didion will disappoint. I'm positive the
...I think we are well-advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget
California musings.If I could make you understand that, I could make you understand California and perhaps something else besides, for Sacramento is California, and California is a place in which a boom mentality and a sense of Chekhovian loss meet in uneasy suspension; in which the mind is troubled by some buried but ineradicable suspicion that things had better work here, because here, beneath that immense bleached sky, is where we run out of continent. Sometimes you fall in love with a book's
Beautifully written essays from way back in 1967 from a journalist who successfully captured the essence of America as it woke from its idealistic dream into the deep feeling that all was not all right.Maybe this is old news for today's world, but I can still express my appreciation for one of the best non-fiction writers of the age, exposing sensationalist murders, the seedy underbelly of the Flower Power movement, and the failed idealism of many other movements... and modes of thought not
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