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Title	:	Rien ne s'oppose à la nuit
Author	:	Delphine de Vigan
Book Format	:	Paperback
Book Edition	:	Special Edition
Pages	:	Pages: 440 pages
Published	:	August 17th 2011 by JC Lattès
Categories	:	Cultural. France. Nonfiction. Biography. European Literature. French Literature

Rien ne s'oppose à la nuit

Delphine de Vigan

Paperback | Pages: 440 pages

Rating: 4.22 | 6689 Users | 675 Reviews

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La douleur de Lucile, ma mère, a fait partie de notre enfance et plus tard de notre vie d’adulte, la douleur de Lucile sans doute nous constitue, ma sœur et moi, mais toute tentative d’explication est vouée à l’échec. L’écriture n’y peut rien, tout au plus me permet-elle de poser les questions et d’interroger la mémoire.
La famille de Lucile, la nôtre par conséquent, a suscité tout au long de son histoire de nombreux hypothèses et commentaires. Les gens que j’ai croisés au cours de mes recherches parlent de fascination ; je l’ai souvent entendu dire dans mon enfance. Ma famille incarne ce que la joie a de plus bruyant, de plus spectaculaire, l’écho inlassable des morts, et le retentissement du désastre. Aujourd’hui je sais aussi qu’elle illustre, comme tant d’autres familles, le pouvoir de destruction du Verbe, et celui du silence.
Le livre, peut-être, ne serait rien d’autre que ça, le récit de cette quête, contiendrait en lui-même sa propre genèse, ses errances narratives, ses tentatives inachevées. Mais il serait cet élan, de moi vers elle, hésitant et inabouti.

Particularize Books Toward Rien ne s'oppose à la nuit

Original Title:	Rien ne s'oppose à la nuit
ISBN:	2709635798 (ISBN13: 9782709635790)
Edition Language:	French
Characters:	Lucile Poirier, Liane Poirier
Setting:	Paris(France)
Literary Awards:	Prix du roman Fnac (2011), Prix des libraires du Québec for Lauréats hors Québec (2012), Prix Renaudot des lycéens (2011), Grand Prix des lectrices de Elle for roman (2012), Prix roman France Télévisions (2011) Grand prix de l'héroïne Madame Figaro for Roman (2012)

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Ratings: 4.22 From 6689 Users | 675 Reviews

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Delphine de Vigans approach with this book is to understand her mothers recent suicide. She goes through a bunch of photos, letters, texts and interviews people to get to know her mother better. In the end, she speaks a lot about the impossibility of being able to write fairly about her mother. The book is a way for her to go through a type of catharsis and break the wheel of mental health problems caused by abuse and unsaid things in her family. I knew nothing about De Vigan before and was both

Nothing Holds Back the Night is the book Delphine de Vigan resisted writing for a long time until she could no longer resist the call. It is a book about her mother Lucile, who she introduces to us on the first page as she discovers her sleeping, the long, cold, hard sleep of death.She collects old documents, boxes, talks to members of her family, the many Aunts and Uncles and creates a snapshot of Lucile's childhood, a large family of nine children living in Paris and then Versailles,

This novel is really part memoir, biography and therapy all rolled into one. Delphine de Vigan was on a quest to find out more about her mother, what shaped her and caused her so much pain. She started to write this book after her mother, Lucile, committed suicide. Writing this book had to be difficult because of all that she learned about her mother's past. Through the compelling narration, de Vigan demonstrates candor, sensitivity, sympathy, and self-awareness as she struggles to pull together

If this book is ever translated into English, I highly recommend it. It's brutal,so if subjects such as suicide and death and family dysfunction don't sit well with you, skip it. It's dark. It's quite French in its execution.What was intriguing to me was the blend of autobiography and fictionalized accounts of a time when the author hadn't been born yet, a piecing together of her mother's life that reads like good fiction. The author even says she feels as if she's creating a new genre--a

This book threw me a little simply because it was hard to get my head around the idea that it was a fictionalized account of a real person's life. In the end, I tired of trying to figure out what was real, so I just read it as an auto-biographical account of de Vigan's quest to know and understand her troubled mother. Once I did that, I had a hard time putting the book down. I found myself pulling for de Vigan and her sister as well as for Lucile the more I read. I also found it fascinating to

Delphine de Vigan visits her mother, Lucile, one morning. She finds her dead. She's been dead several days. In the period of grief and mourning that follows an idea takes root: de Vigan must write about her mother. She doesn't know what shape or form the book will take, what sort of book it'll be, and while she interviews her mother's siblings, her friends, reads her writings, looks at and listens to recordings, she still isn't sure what sort of book she's going to write. Even at the beginning

Being a part of any community, let it be marriage, family or close circle of friends, does not entail an alignment of thoughts and values - however it often feels this way and forms the basis for connecting. Everyone knows an unsettling feeling that a certain kind of recognition brings, when all of a sudden your world becomes more parallel than related to that of others and an abyss opens to show you that an intersection of beliefs is made of so completely different directions that three